By Thomas Leitch, Leland A. Poague
The main accomplished quantity ever released on Alfred Hitchcock, protecting his profession and legacy in addition to the wider cultural and highbrow contexts of his work.<ul type="disc">* comprises thirty chapters via the prime Hitchcock students* Covers his lengthy occupation, from his earliest contributions to different directors’ silent movies to his final uncompleted final movie* information the long-lasting legacy he left to filmmakers and audiences alike
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Additional resources for A Companion to Alfred Hitchcock (Wiley-Blackwell Companions to Film Directors)
Howard During the interview with my first subject, I asked way too many questions. After shooting 800 feet on that single interview, I reduced the number of questions from eight to four and really simplified the content. Because, despite a “test” interview, I had overestimated how much information I could cover in a 400-foot (11-minute) roll of film. Jan WHERE DO SCRIPTS COME FROM? Scripts are developed from whatever might inspire you to express and communicate something in visual and dramatic terms.
Private investors might be friends, family members, or associates—even complete strangers. Some people might invest because they want to see you succeed even though they understand they might not see a return on their investment. Others might be looking for a tax shelter, and still others might be shrewd businesspeople who believe in the investment opportunities and market potential of your project. As a recent alumnae, I was eligible to apply for the $100,000 Richard Vague Award from the Kanbar Film Department at New York University.
At the end of the prospectus, include a letter addressed to the company from the investor, committing the investor to a specific figure. The letter should show how money can be transferred to the production account. • jargon, and make the ideas flow. Don’t give potential investors an obvious reason to turn down your proposal. “No” is the easiest decision to make because nothing is risked by making it. In fact, most people look for reasons to say no. Imagine yourself on the other side of the table.
A Companion to Alfred Hitchcock (Wiley-Blackwell Companions to Film Directors) by Thomas Leitch, Leland A. Poague